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Works Cited
Campbell, Andrea. New Directions In Ecofeminist Literary Criticism. Newcastle upon Tyne: Cambridge
Scholars Publishing, 2008. eBook Academic Collection (EBSCOhost).
ezproxy.mga.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=e000xna&A
N=523941&site=eds-live&scope=site&ebv=EB&ppid=pp_Cover.Accessed 30 Nov. 2016.
Estok, Simon C. "Shakespeare And Ecocriticism: An Analysis Of "Home" And "Power" In King
Lear." AUMLA: Journal Of The Australasian University Of Modern Language Association 103
(2005): 15-41. International Bibliography of Theatre & Dance with Full Text.
ezproxy.mga.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=1
7495661&site=eds-live&scope=site. Accessed 30 Nov. 2016.
Hamilton, Sharon. "Daughters Who Acquiesce: Hero (Much Ado About Nothing), Lavinia (Titus
Andronicus), and Ophelia (Hamlet)." Shakespearean Criticism, edited by Michelle Lee, vol. 108,
Gale, 2008. Literature Resource Center,
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Howell, Nancy R. "Ecofeminism: What One Needs To Know." Zygon: Journal Of Religion &
Science 32.2 (1997): 231. Psychology and Behavioral Sciences Collection.
http://ezproxy.mga.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=pbh&
AN=9706205513&site=eds-live&scope=site. Accessed 30 Nov. 2016.
Kakkonen, GordanaGalic, and Penjak, Ana. "The Nature Of Gender: Are Juliet, Desdemona And
Cordelia To Their Fathers As Nature Is To Culture?." Critical Survey 1 (2015): 18. Literature
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